Sanat \u00f6zerk bir deneyim alan\u0131 olarak kurulup m\u00fczelere veya konser salonlar\u0131na yerle\u015fti\u011fi zaman, kendi d\u0131\u015f\u0131na \u00e7\u0131kma, yani sanattan ba\u015fka bir \u015fey olma zorunlulu\u011funu da hissetmeye ba\u015flad\u0131. M\u00fczik, m\u00fczisyenlerin icra etti\u011fi sanattan fazlas\u0131, ruhun dili oldu\u011fu iddias\u0131nda bulundu. Mimarl\u0131k binalar in\u015fa etmek yerine yeni bir d\u00fcnya kurmak istedi, bunun i\u00e7in g\u00f6klere u\u00e7tu. Modern ve devrimci sanat\u00e7\u0131lar tablo yapmay\u0131 b\u0131rak\u0131p \u201cyeni hayat\u201d\u0131n bi\u00e7imlerini \u00fcretmeye karar verdiler. \u00c7a\u011fda\u015f sanat\u0131n performans ve yerle\u015ftirmeleri ise sanat ile siyaset aras\u0131ndaki belirsiz alanda duruyor. Bu yolculuklardan baz\u0131lar\u0131n\u0131n izini s\u00fcren Jacques Ranci\u00e8re, Kant ve Hegel gibi filozoflar\u0131n yoldaki k\u0131vr\u0131mlar\u0131, d\u00f6neme\u00e7leri anlamam\u0131zda bize yard\u0131mc\u0131 olabilece\u011fini g\u00f6steriyor. Gen\u00e7 Marx\u2019\u0131n d\u00fc\u015f\u00fcncesi ile sanat\u0131n yolunun kesi\u015fti\u011fi noktaya dikkat \u00e7ekiyor \u00f6zellikle. \u201cBi\u00e7imci\u201d diye su\u00e7lanan Sovyet sanat\u00e7\u0131lar\u0131n\u0131n nas\u0131l devrimi resmetmek yerine bizzat devrim olan bir sanat yaratmak istediklerini anlat\u0131yor. YAZAR HAKKINDA: 1940 Cezayir do\u011fumlu Frans\u0131z filozof. Paris VIII (St. Denis) \u00dcniversitesi\u2019nde felsefe dersleri vermi\u015f olan Ranci\u00e8re\u2019in ad\u0131 ilk kez Althusser\u2019in iki ciltlik Lire le Capital (1965; Kapital\u2019i Okumak) derlemesine yazd\u0131\u011f\u0131 yaz\u0131yla \u00f6ne \u00e7\u0131kt\u0131. 1968 \u00f6\u011frenci ayaklanmalar\u0131 s\u0131ras\u0131nda Althusser\u2019le fikir ayr\u0131l\u0131\u011f\u0131na d\u00fc\u015fen Ranci\u00e8re, Althusser \u00e7evresinden kopu\u015funun gerek\u00e7elerini La Le\u00e7on d\u2019Althusser (1974, Althusser\u2019in Verdi\u011fi Ders) adl\u0131 kitab\u0131nda anlatt\u0131. Bu siyasi ve teorik kopu\u015f, ona g\u00f6re, \u201cbilgi ile kitleler aras\u0131ndaki tarihsel ve felsefi ili\u015fkilere\u201d bak\u0131\u015flar\u0131ndaki ciddi farklar\u0131n \u00fcr\u00fcn\u00fcyd\u00fc. Althusser\u2019in ideoloji teorisine y\u00f6neltti\u011fi ele\u015ftiriyi, \u00f6zellikle i\u015f\u00e7i s\u0131n\u0131f\u0131n\u0131n tarihsel olarak kendisini nas\u0131l g\u00f6rm\u00fc\u015f ve bilgiyle nas\u0131l ili\u015fki kurmu\u015f oldu\u011funu ampirik analizlere de ba\u015fvurarak ara\u015ft\u0131rd\u0131\u011f\u0131 bir dizi kitab\u0131nda s\u00fcrd\u00fcrd\u00fc: La Nuit des prol\u00e9taires (1981; Proleterlerin Gecesi); Filozof ve Yoksullar\u0131 (Metis, 2009) ve Cahil Hoca: Zihinsel \u00d6zg\u00fcrle\u015fme \u00dczerine Be\u015f Ders (Metis, 2014). D\u00fc\u015f\u00fcn\u00fcrlerin haklar\u0131nda konu\u015fmay\u0131 pek sevdikleri proleterler hakk\u0131nda, onlar\u0131n kendilerine \u00f6zg\u00fc bilgilenme tarzlar\u0131 hakk\u0131nda pek de bir \u015fey bilmediklerini ileri s\u00fcrd\u00fc. Estetik, tarih teorisi, edebiyat ve sinema hakk\u0131nda yazd\u0131klar\u0131yla da yank\u0131 uyand\u0131rm\u0131\u015f olan Ranci\u00e8re\u2019in di\u011fer eserleri aras\u0131nda \u015funlar say\u0131labilir: Siyasal\u0131n K\u0131y\u0131s\u0131nda (Metis, 2007), \u00d6zg\u00fcrle\u015fen Seyirci (Metis, 2010), Tarihin Adlar\u0131 (Metis, 2011), Nas\u0131l Bir Zamanda Ya\u015f\u0131yoruz? (Eric Hazan\u2019la S\u00f6yle\u015fi, Metis, 2018), Kurmacan\u0131n K\u0131y\u0131lar\u0131 (Metis, 2019), Courts voyages au Pays du peuple (1990, Halk \u00dclkesine K\u0131sa Yolculuklar), La fable cin\u00e9matographique (2001, Sinematografik Masal), L\u2019inconscient esth\u00e9tique (2001, Estetik Bilin\u00e7d\u0131\u015f\u0131), Esteti\u011fin Huzursuzlu\u011fu (2004, \u0130leti\u015fim, 2012), Politique de la litt\u00e9rature (2006, Edebiyat\u0131n Siyaseti). <\/p>\n","protected":false},"excerpt":{"rendered":"
Sanat \u00f6zerk bir deneyim alan\u0131 olarak kurulup m\u00fczelere veya konser salonlar\u0131na yerle\u015fti\u011fi zaman, kendi d\u0131\u015f\u0131na \u00e7\u0131kma, yani sanattan ba\u015fka bir \u015fey olma zorunlulu\u011funu da hissetmeye ba\u015flad\u0131. [\u2026]<\/span><\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"product_brand":[],"product_cat":[13548,12408],"product_tag":[],"class_list":{"0":"post-764418","1":"product","2":"type-product","3":"status-publish","5":"product_cat-kuram","6":"product_cat-sanat","7":"pa_cilt-ciltsiz","8":"pa_tur-kitap","9":"pa_yayinevi-metis-yayinlari","10":"pa_yazar-jacques-ranciere","12":"first","13":"instock","14":"sale","15":"shipping-taxable","16":"purchasable","17":"product-type-simple"},"_links":{"self":[{"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/product\/764418","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/types\/product"}],"wp:attachment":[{"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/media?parent=764418"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/product_brand?post=764418"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/product_cat?post=764418"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/product_tag?post=764418"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}