Simone de Beauvoir, Goncourt \u00d6d\u00fcl\u00fc\u2019n\u00fc kazanan 1954 tarihli roman\u0131 Mandarinler\u2019de, di\u011fer eserlerinde de rastlanan feminizm ve varolu\u015f\u00e7uluk temalar\u0131n\u0131, bu kez o y\u0131llar\u0131n Fransa\u2019s\u0131n\u0131n politik ve entelekt\u00fcel portresini \u00e7izen bir a\u015fk hik\u00e2yesi \u00fczerinden ele al\u0131yor. \u0130kinci D\u00fcnya Sava\u015f\u0131\u2019n\u0131n sonundan 1950\u2019lerin ortalar\u0131na dek Fransa\u2019daki bir grup entelekt\u00fcelin ya\u015fam\u0131n\u0131 takip eden Mandarinler, Jean-Paul Sartre, Albert Camus, Nelson Algren, Arthur Koestler ve bizzat de Beauvoir\u2019dan esinlenen karakterleriyle, \u00f6rt\u00fck bir otobiyografi oldu\u011fu kadar, sava\u015f sonras\u0131 Fransa\u2019s\u0131n\u0131n sol g\u00f6r\u00fc\u015fl\u00fc ayd\u0131nlar\u0131n\u0131n hayatlar\u0131n\u0131 ve \u00e7alkant\u0131l\u0131 siyasi ili\u015fkilerini de inceleyen politik ve felsefi bir roman. Bir\u00e7oklar\u0131 i\u00e7in belki de de Beauvoir\u2019\u0131n en g\u00fc\u00e7l\u00fc, en karma\u015f\u0131k eseri. Y\u00fcksek sesle, \u201cBunun fark\u0131nday\u0131m,\u201d dedim. Sava\u015f \u00f6ncesi, y\u0131llar\u0131n y\u00fck\u00fcn\u00fc hissetmeyecek kadar gen\u00e7tim. Sonra be\u015f y\u0131l boyunca kendimi tamamen unuttum. Ve nihayet kendime kavu\u015ftu\u011fumda, boyun e\u011fdi\u011fim ger\u00e7ekle kar\u015f\u0131 kar\u015f\u0131ya kald\u0131m. Ya\u015fl\u0131l\u0131\u011f\u0131m beni bekliyor, ka\u00e7acak deli\u011fim yok. Onu \u015fimdiden aynan\u0131n derinliklerinde g\u00f6r\u00fcr gibiyim (. . .) Mevsimler yeniden ba\u015flar, yenilgilerin \u00fcstesinden gelinir. Ama \u00e7\u00f6k\u00fc\u015f\u00fc durdurman\u0131n hi\u00e7bir \u00e7aresi yok. \u201cArt\u0131k kayg\u0131lanmak i\u00e7in \u00e7ok ge\u00e7,\u201d diye d\u00fc\u015f\u00fcnd\u00fcm, aynadaki g\u00f6r\u00fcnt\u00fcmden bak\u0131\u015flar\u0131m\u0131 \u00e7evirerek. \u201cArt\u0131k pi\u015fmanl\u0131k duymak i\u00e7in bile \u00e7ok ge\u00e7; tek \u00e7are ya\u015famay\u0131 s\u00fcrd\u00fcrmek.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"
Simone de Beauvoir, Goncourt \u00d6d\u00fcl\u00fc\u2019n\u00fc kazanan 1954 tarihli roman\u0131 Mandarinler\u2019de, di\u011fer eserlerinde de rastlanan feminizm ve varolu\u015f\u00e7uluk temalar\u0131n\u0131, bu kez o y\u0131llar\u0131n Fransa\u2019s\u0131n\u0131n politik ve entelekt\u00fcel [\u2026]<\/span><\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"product_brand":[],"product_cat":[12291,12711],"product_tag":[],"class_list":{"0":"post-762241","1":"product","2":"type-product","3":"status-publish","5":"product_cat-edebiyat","6":"product_cat-roman-oyku","7":"pa_cilt-ciltsiz","8":"pa_tur-kitap","9":"pa_yayinevi-everest-yayinlari","10":"pa_yazar-simone-de-beauvoir","12":"first","13":"instock","14":"sale","15":"shipping-taxable","16":"purchasable","17":"product-type-simple"},"_links":{"self":[{"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/product\/762241","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/types\/product"}],"wp:attachment":[{"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/media?parent=762241"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/product_brand?post=762241"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/product_cat?post=762241"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/product_tag?post=762241"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}