K\u0131v\u0131lc\u0131m Y\u0131ld\u0131z, “Ayd\u0131nlanman\u0131n M\u00fczi\u011fi”ni yazd\u0131… Yay\u0131n ya\u015fam\u0131na m\u00fczik dizisi ile ba\u015flayan Topos Cep Kitaplar\u0131’n\u0131n “Ayd\u0131nlanman\u0131n M\u00fczi\u011fi – Klasik D\u00f6nem ve Ustalar\u0131” ba\u015fl\u0131kl\u0131 kitab\u0131, K\u0131v\u0131lc\u0131m Y\u0131ld\u0131z’\u0131n imzas\u0131n\u0131 ta\u015f\u0131yor. Y\u0131ld\u0131z’\u0131n \u00e7al\u0131\u015fmas\u0131, Aykut K\u00f6ksal’\u0131n genel yay\u0131n y\u00f6netmenli\u011findeki Topos Cep Kitaplar\u0131’n\u0131n ikinci kitab\u0131. Kitapta, “Klasik D\u00f6nem ve Ayd\u0131nlanma” ve “M\u00fczikte Klasik \u00dcslup” ba\u015fl\u0131kl\u0131 b\u00f6l\u00fcmlerin ard\u0131ndan, Haydn, Mozart ve Beethoven’\u0131n ele al\u0131nd\u0131\u011f\u0131 “Viyana Klasikleri” ba\u015fl\u0131kl\u0131 b\u00f6l\u00fcm yer al\u0131yor. Kitaba bir sons\u00f6z yazan Erdem \u00c7\u00f6lo\u011flu \u015f\u00f6yle diyor: ” M\u00fczikte Klasik \u00fcslup, Ayd\u0131nlanman\u0131n temsil etti\u011fi rasyonel d\u00fc\u015f\u00fcncenin g\u00fc\u00e7 kazand\u0131\u011f\u0131 ve sonraki y\u00fczy\u0131l\u0131n ortalar\u0131nda kimlik kazanacak olan tarih\u00e7ili\u011fin do\u011fdu\u011fu bir d\u00f6neme denk gelir ve bu de\u011ferleri yans\u0131t\u0131r. Bir taraftan \u00f6nceki \u00fcslubun \u00f6z\u00fcndeki kontrpuan tekni\u011fini ve bunun yaratt\u0131\u011f\u0131 polifonik dokular\u0131, d\u00f6nemin reva\u00e7ta olan sadelik ilkesinin kar\u015f\u0131t\u0131 m\u00fchendislik bir \u00e7aba olarak de\u011fersizle\u015ftirir, di\u011fer taraftan 19. y\u00fczy\u0131l teorisyenlerinin diyalektik olarak tan\u0131mlayacaklar\u0131 bir ili\u015fkiler ortam\u0131nda, d\u00f6nemin giderek bask\u0131nla\u015fan olgusu olan fonksiyonel tonaliteyi \u00e7alg\u0131 m\u00fczi\u011finin merkezine ta\u015f\u0131r. Elbette bu ama\u00e7lara y\u00f6nelik yeni teknikler geli\u015ftirir. Armonik planda sadele\u015fme, polifonik dokular\u0131n yerini, ezginin ve e\u015fli\u011fin ayn\u0131 ses gerecinden t\u00fcretildi\u011fi homofonik dokular\u0131n almas\u0131yla ger\u00e7ekle\u015fir. Bu yolla fonksiyonel tonalitenin ve \u2018fonksiyonel\u2019 bi\u00e7imin y\u00f6nlendirdi\u011fi yeni bir hiyerar\u015fi ortaya \u00e7\u0131kar. Bu hiyerar\u015fi, Barok \u00fcslupta g\u00f6rd\u00fcklerimizden \u00e7ok daha geni\u015f tonal b\u00f6lgelerin tasarlanmas\u0131na imkan tan\u0131r. Yeni akort d\u00fczeninin getirdi\u011fi uzak tonalitelere mod\u00fclasyon imkan\u0131 yap\u0131t s\u00fcrelerinin uzamas\u0131n\u0131 sa\u011flar ve yap\u0131da geni\u015f planlar aras\u0131nda kar\u015f\u0131tl\u0131k ve benzerlik ili\u015fkilerinin kurulmas\u0131na olanak tan\u0131r. B\u00f6ylece bu hiyerar\u015fi ile diyalektik ili\u015fkinin etkile\u015fiminin bir sonucu olarak d\u00f6nemin \u00f6nde gelen senfoni, kon\u00e7erto, sonat gibi t\u00fcrlerinin ortak bi\u00e7im kayna\u011f\u0131 olan sonat bi\u00e7imi do\u011far ve geli\u015fir. K\u0131v\u0131lc\u0131m Y\u0131ld\u0131z, bu s\u00fcreci detayl\u0131ca tan\u0131ml\u0131yor ve sonat bi\u00e7imi, tema, tonalite gibi m\u00fczi\u011fin teknik terimlerinden soyut\/so\u011fuk birer terim olarak bahsetmekten ka\u00e7\u0131narak bunlar\u0131 m\u00fczik tarihinin organik bir par\u00e7as\u0131 olarak, tarihsel ve sosyal bir \u00e7er\u00e7eveye yerle\u015ftirerek ve yukar\u0131da de\u011findi\u011fimiz tarihsel s\u00fcreklili\u011fi vurgulayarak ele al\u0131yor. Ayr\u0131ca m\u00fczikal tasar\u0131m\u0131n ve teknik tercihlerin k\u00f6keninde arz-talep dinamiklerindeki de\u011fi\u015fimin yatt\u0131\u011f\u0131n\u0131 g\u00f6steriyor.” <\/p>\n","protected":false},"excerpt":{"rendered":"
K\u0131v\u0131lc\u0131m Y\u0131ld\u0131z, “Ayd\u0131nlanman\u0131n M\u00fczi\u011fi”ni yazd\u0131… Yay\u0131n ya\u015fam\u0131na m\u00fczik dizisi ile ba\u015flayan Topos Cep Kitaplar\u0131’n\u0131n “Ayd\u0131nlanman\u0131n M\u00fczi\u011fi – Klasik D\u00f6nem ve Ustalar\u0131” ba\u015fl\u0131kl\u0131 kitab\u0131, K\u0131v\u0131lc\u0131m Y\u0131ld\u0131z’\u0131n imzas\u0131n\u0131 [\u2026]<\/span><\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"product_brand":[],"product_cat":[14591,14556],"product_tag":[],"class_list":{"0":"post-726344","1":"product","2":"type-product","3":"status-publish","5":"product_cat-genel-kavramlar-kuram-ve-tarihce","6":"product_cat-muzik","7":"pa_cilt-ciltsiz","8":"pa_tur-kitap","9":"pa_yayinevi-topos-yayinlari","10":"pa_yazar-kivilcim-yildiz","12":"first","13":"instock","14":"sale","15":"shipping-taxable","16":"purchasable","17":"product-type-simple"},"_links":{"self":[{"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/product\/726344","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/types\/product"}],"wp:attachment":[{"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/media?parent=726344"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/product_brand?post=726344"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/product_cat?post=726344"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/product_tag?post=726344"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}