19. y\u00fczy\u0131l \u0130spanyol \u015fiirinde romantizmin son temsilcisi say\u0131lan B\u00e9cquer, \u201cromancero\u201d gelene\u011fi ile gizemci yenilik\u00e7i \u00e7izgi aras\u0131na yerle\u015fen kendine \u00f6zg\u00fc \u015fiiriyle \u00e7a\u011fda\u015f \u0130spanyol \u015fiirinin de ba\u015flang\u0131c\u0131n\u0131 simgeler. Unamuno, Machado ve Jimenez gibi \u00e7a\u011fda\u015f \u00f6nc\u00fclere g\u00f6re bu \u015fiir, \u201cak\u0131p giden zaman\u0131n\u201d g\u00f6r\u00fcnmez \u00f6\u011felerini d\u00fc\u015fsel bir duyarl\u0131l\u0131ktan s\u00fczerek \u201cortaya d\u00f6ken\u201d \u00f6zelli\u011fiyle evrensel \u015fiir tan\u0131m\u0131n\u0131n da kap\u0131s\u0131n\u0131 aralar. Ba\u015fl\u0131ca izleklerin a\u015fk, endi\u015fe, ac\u0131, d\u00fc\u015f k\u0131r\u0131kl\u0131\u011f\u0131, \u00e7aresiz insanl\u0131k halleri, \u00f6l\u00fcm kayg\u0131s\u0131 olarak belirdi\u011fi Rimalar\u2019da ger\u00e7eklik, \u015fairin d\u00fc\u015f prizmalar\u0131nda \u201cbir suyun d\u00f6k\u00fcl\u00fc\u015f\u00fcn\u00fc ya da bir \u00e7alg\u0131 telinin titreyi\u015fini\u201d an\u0131\u015ft\u0131r\u0131r bi\u00e7imde k\u0131r\u0131l\u0131r. Sonu\u00e7ta elde kalan tek \u015fey, dile getirilmek istenene hi\u00e7bir zaman yetmeyecek ama sonu\u00e7ta vazge\u00e7ilemez olan dil\u2019dir. GUSTAVO ADOLFO B\u00c9CQUER (17 \u015eubat 1836 – 22 Aral\u0131k 1870 16. y\u00fczy\u0131l sonlar\u0131nda Sevilla\u2019ya yerle\u015fen ve adlar\u0131n\u0131 B\u00e9cquer olarak \u0130spanyolla\u015ft\u0131ran Flaman as\u0131ll\u0131 Becker ailesinin sekiz \u00e7ocu\u011fundan biridir. Sanat\u0131yla \u00e7ocuklar\u0131 \u00fczerinde etki b\u0131rakm\u0131\u015f iyi bir ressam olan baba 1841\u2019de, Gustavo hen\u00fcz be\u015f ya\u015f\u0131ndayken ya\u015fama veda eder.\u0130lk gitti\u011fi okullar \u00fcst\u00fcne bilgiler \u00e7e\u015fitli ve belirsizdir. \u00c7ok erken ya\u015flarda \u015fiir yazmaya ba\u015flam\u0131\u015f olan Gustavo, at\u00f6lyesinde birlikte \u00e7al\u0131\u015ft\u0131klar\u0131 amcas\u0131n\u0131n belirtti\u011fi, \u201ckaleminin f\u0131r\u00e7as\u0131ndan daha g\u00fc\u00e7l\u00fc oldu\u011fu\u201d y\u00f6n\u00fcndeki uyar\u0131lar \u00fczerine a\u011f\u0131rl\u0131kla yaz\u0131na y\u00f6nelir.1858\u2019de y\u00fcksek ate\u015f ve t\u00fcm bedenini kaplayan t\u00fcm\u00f6rlerle yata\u011fa d\u00fc\u015fer. \u0130yile\u015fme d\u00f6neminde \u00e7\u0131kt\u0131\u011f\u0131 uzun y\u00fcr\u00fcy\u00fc\u015fler s\u0131ras\u0131nda, Rimalar\u2019\u0131n ger\u00e7ek esin kayna\u011f\u0131 oldu\u011fu \u00f6ne s\u00fcr\u00fclen Julia ile tan\u0131\u015f\u0131r. 1860 y\u0131l\u0131 ozan\u0131n ya\u015fam\u0131nda bu a\u00e7\u0131dan bir d\u00f6n\u00fcm noktas\u0131 olur. Frengi tedavisi i\u00e7in ba\u015fvurdu\u011fu \u00fcnl\u00fc bir doktorun k\u0131z\u0131yla, Casta Estaban Navarro ile tan\u0131\u015f\u0131r ve bir y\u0131l sonra evlenirler. El Contempor\u00e1neo dergisinde ozan\u0131n \u015fiir sanat\u0131 \u00fcst\u00fcne d\u00fc\u015f\u00fcncelerini yans\u0131tan Cartas literarias a una mujer (Bir Kad\u0131na Yaz\u0131lm\u0131\u015f Yaz\u0131nsal Mektuplar) adl\u0131 denemeleri yay\u0131mlan\u0131r. Ertesi y\u0131l ayn\u0131 dergide \u00fcnl\u00fc s\u00f6ylencelerini (Leyendas) ve \u015fiirlerinden baz\u0131lar\u0131n\u0131 yay\u0131mlar. 1862 y\u0131l\u0131 ozan i\u00e7in \u00fcretken bir y\u0131l olur; s\u00f6ylenceler, yaz\u0131nsal mektuplar, makaleler, gazete i\u00e7in imzas\u0131z kitap ele\u015ftirileri, tan\u0131t\u0131mlar\u0131, haberleri yan\u0131nda, ileride Rimalar ad\u0131n\u0131 alacak \u015fiirler birikmektedir.1863 yaz\u0131n\u0131 ve sonbahar\u0131n\u0131 Sevilla\u2019da ge\u00e7iren B\u00e9cquer \u00e7ifti daha sonra Madrid\u2019e d\u00f6ner.Kar\u0131s\u0131ndan ayr\u0131lm\u0131\u015f olan a\u011fabeyi ve yak\u0131n dostu Valeriano da onlarlad\u0131r. Dostu Augusto Ferr\u00e1n\u2019\u0131n \u00f6nerisi \u00fczerine, havas\u0131 ozan\u0131n sa\u011fl\u0131\u011f\u0131na iyi gelecek Santa Maria de Veruela Manast\u0131r\u0131\u2019na yerle\u015firler. B\u00e9cquer, Desde mi celda (H\u00fccremden) adl\u0131 \u00f6nemli yap\u0131t\u0131n\u0131n b\u00fcy\u00fck b\u00f6l\u00fcm\u00fcn\u00fc burada kaleme al\u0131r. 1868 ozan i\u00e7in \u015fanss\u0131z ve \u00fcz\u00fcc\u00fc bir y\u0131ld\u0131r. Libro de los gorriones\u2019i (Ser\u00e7eler Kitab\u0131) yazmaya ba\u015flad\u0131\u011f\u0131 g\u00fcnlerde Casta ile Gustavo ayr\u0131l\u0131rlar.Ayn\u0131 y\u0131l\u0131n eyl\u00fcl ay\u0131nda \u201cLa Gloriosa\u201d (1868 Devrimi) patlak verir. B\u00e9cquer karde\u015fleri g\u00f6zeten ve devlet g\u00f6revleri sa\u011flayan koruyucular\u0131 Paris\u2019e s\u0131\u011f\u0131n\u0131r. Her iki karde\u015f de i\u015flerini yitirir ve Toledo\u2019ya ge\u00e7mek zorunda kal\u0131rlar. Ozan burada, daha s\u0131radan bir kad\u0131n olmakla birlikte, mutsuzluklar, ac\u0131lar i\u00e7indeki ozana olan sevgisini hi\u00e7 esirgemeden sunan Alejandra ile en son sevda masal\u0131n\u0131 ya\u015fayacakt\u0131r. Yeni bir gazete \u00e7\u0131karma projesi i\u00e7inde Madrid\u2019e s\u0131k\u00e7a gidip geldi\u011fi g\u00fcnlerde, 23 Eyl\u00fcl 1870\u2019te Valeriano karaci\u011fer yang\u0131s\u0131ndan ya\u015fam\u0131n\u0131 yitirir. Gustavo \u00e7ok de\u011ferli ya\u015fam yolda\u015f\u0131n\u0131n yitiminden sonra art\u0131k kendini toparlayamayacakt\u0131r. F\u0131rt\u0131nal\u0131 bir g\u00fcnde, 8 Aral\u0131k\u2019ta bir dostuyla bulu\u015ftu\u011fu s\u0131rada \u00fc\u015f\u00fct\u00fcp yata\u011fa d\u00fc\u015fen ozan, 22 Aral\u0131k 1870 sabah\u0131 ya\u015fama g\u00f6zlerini yumar.B\u00e9cquer\u2019in yap\u0131tlar\u0131, ozan\u0131n vasiyeti \u00fczerine 24 Aral\u0131k Noel g\u00fcn\u00fc bir araya gelen dostlar\u0131 taraf\u0131ndan kitapla\u015ft\u0131r\u0131l\u0131r. <\/p>\n","protected":false},"excerpt":{"rendered":"
19. y\u00fczy\u0131l \u0130spanyol \u015fiirinde romantizmin son temsilcisi say\u0131lan B\u00e9cquer, \u201cromancero\u201d gelene\u011fi ile gizemci yenilik\u00e7i \u00e7izgi aras\u0131na yerle\u015fen kendine \u00f6zg\u00fc \u015fiiriyle \u00e7a\u011fda\u015f \u0130spanyol \u015fiirinin de ba\u015flang\u0131c\u0131n\u0131 simgeler. [\u2026]<\/span><\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"product_brand":[],"product_cat":[12291,12509],"product_tag":[],"class_list":{"0":"post-725938","1":"product","2":"type-product","3":"status-publish","5":"product_cat-edebiyat","6":"product_cat-siir","7":"pa_cilt-ciltsiz","8":"pa_tur-kitap","9":"pa_yayinevi-ayrinti-yayinlari","10":"pa_yazar-gustavo-adolfo-becquer","12":"first","13":"instock","14":"sale","15":"shipping-taxable","16":"purchasable","17":"product-type-simple"},"_links":{"self":[{"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/product\/725938","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/types\/product"}],"wp:attachment":[{"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/media?parent=725938"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/product_brand?post=725938"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/product_cat?post=725938"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/product_tag?post=725938"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}