\u0130nanmak ya da inanmamak: \u0130\u015fte t\u00fcm mesele bu.Duygusal Ajanlar, 2007 Nobel Edebiyat \u00d6d\u00fcl\u00fc sahibi Doris Lessing’in, fantezi ve felsefeyi harmanlayan politik bilimkurgu ba\u015fyap\u0131t\u0131 “Argos’taki Kanopus Ar\u015fivleri” dizisinin be\u015finci ve son cildi.Lessing\u2019in, milyonlar\u0131 \u201cy\u00f6nlendiren\u201d y\u00f6neticilere kar\u015f\u0131 uyar\u0131 niteli\u011findeki bu politik roman\u0131, \u00fcst\u00fc \u00f6rt\u00fcl\u00fc \u015fekilde Frans\u0131z \u0130htilali\u2019nden, II. D\u00fcnya Sava\u015f\u0131\u2019ndan ve Nazilerin yaratt\u0131\u011f\u0131 y\u0131k\u0131mdan bahsederek; sosyo-politik g\u00f6ndermeleri ve hatta yer yer psikosomatik \u00e7\u0131kar\u0131mlar\u0131yla dikkatleri \u00fczerine \u00e7ekiyor.S\u00f6ylem ve manip\u00fclasyonun g\u00fcc\u00fcn\u00fc ve tehlikesini vurgularken tarihsel ger\u00e7ekliklerden de ilham alan Duygusal Ajanlar, Niran El\u00e7i\u2019nin p\u00fcr\u00fczs\u00fcz \u00e7evirisi ve Delidolu\u2019nun \u00f6zenli bask\u0131s\u0131yla ilk kez T\u00fcrk\u00e7ede!Kanopus\u2019un h\u00fck\u00fcmranl\u0131k alan\u0131n\u0131n \u00e7ok \u00f6tesindeki Volyen \u0130mparatorlu\u011fu b\u00fcy\u00fck karga\u015fa i\u00e7inde. Manip\u00fclasyon, yalan, kand\u0131rmaca ve \u201cS\u00f6ylem\u201d sayesinde, y\u00f6netim kademesi, halk\u0131 k\u00f6lele\u015ftirmi\u015f. \u00dcstelik, bu konuda o kadar yetkinler ki, g\u00f6zlem i\u00e7in g\u00f6nderilen Kanopus ajan\u0131 Incent bile etkilenmi\u015f, nesnelli\u011fini yitirmi\u015f, ger\u00e7eklik alg\u0131s\u0131n\u0131 kaybetmi\u015f\u2026 \u015eimdi, tedavi ve yeniden yap\u0131lanmadan ba\u015fka \u00e7are yok.\u015eikeste ile ba\u015flatt\u0131\u011f\u0131 \u201c\u00f6znel d\u00fcnya tarihini\u201d Duygusal Ajanlar ile nihayete erdiren Doris Lessing, belagatin g\u00fcc\u00fcn\u00fc d\u00fcnya tarihinden \u00f6rneklerle vurgulad\u0131\u011f\u0131 bu politik bilimkurgu roman\u0131nda, inanmak ile inanmamak aras\u0131ndaki o ince \u00e7izginin k\u00f6klerine iniyor.”Argos’taki Kanopus Ar\u015fivleri” serisindeki t\u00fcm di\u011fer kitaplar gibi ba\u011f\u0131ms\u0131z olarak da okunabilen bu alegorik bilimkurgu, ge\u00e7mi\u015ften g\u00fcn\u00fcm\u00fcze uzanarak, yer verdi\u011fi baz\u0131 \u201cs\u00f6ylem\u201d c\u00fcmleleriyle, siyasi akt\u00f6rlerin ge\u00e7en zamana inat hi\u00e7 de\u011fi\u015fmediklerini g\u00f6zler \u00f6n\u00fcne seriyor.”\u00c7\u00fcnk\u00fc bu S\u00f6ylemciler biliyorlard\u0131 ki, kitlelerin daimi ac\u0131lar\u0131n\u0131 unutturabilecek ger\u00e7ek ve hayali d\u00fc\u015fmanlar bulabilirlerse iktidarda kalabilirlerdi ancak…”\u201c\u0130mparatorluklar\u0131n y\u00fckseli\u015fi ve d\u00fc\u015f\u00fc\u015f\u00fc; devrimciler, ter\u00f6ristler, diktat\u00f6rler ve s\u00f6ylemin g\u00fcc\u00fc… T\u00fcm bunlar, romanda i\u015flenen konular\u0131n yaln\u0131zca birka\u00e7\u0131. Ama kitab\u0131n as\u0131l ba\u015far\u0131s\u0131, yepyeni bir d\u00fcnya yaratmas\u0131nda ve bu d\u00fcnyaya, her \u015feyi kucaklayan, istikrarl\u0131 bir vizyon sunabilmesinde.\u201dDaily Telegraph<\/p>\n","protected":false},"excerpt":{"rendered":"
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