Ahmed G\u00fcner Sayar, bug\u00fcne kadar ideolojik ve anakronik bak\u0131\u015f a\u00e7\u0131lar\u0131n\u0131n kurban\u0131 olarak ger\u00e7ek t\u00e2rihin d\u0131\u015f\u0131nda b\u0131rak\u0131lan \u015eeyh Bedreddin portresini, temel kaynaklar ve kendi eserlerinin s\u00fczgecinden ge\u00e7irerek b\u00fct\u00fcn berrakl\u0131\u011f\u0131yla ortaya koyuyor. Bu sayede, i\u015ftir\u00e2k-i emv\u00e2l anlay\u0131\u015f\u0131n\u0131n erken temsilcilerinden ve ilkel bir kom\u00fcnizmi va\u2019zetti\u011fi s\u00f6ylenen Bedreddin, \u201c\u0130sl\u00e2m huk\u00fbkunun ferdiyet\u00e7i m\u00fclkiyet ve miras niz\u00e2m\u0131n\u0131n kodifikat\u00f6r\u00fc\u201d ve \u201cOsmanl\u0131 Huk\u00fbk\u00ee Muhiti\u201dnin toprakta \u00f6zel m\u00fclkiyeti devre d\u0131\u015f\u0131 b\u0131rakan hesap ve arazi defterlerinden, dolay\u0131s\u0131yla toprak rejiminin tiran \u00fcreten r\u00e2iyet stat\u00fcs\u00fcn\u00fcn sebep oldu\u011fu s\u0131k\u0131nt\u0131lardan mustarip Hanef\u00ee bir fakih-mutasavv\u0131f olarak kar\u015f\u0131m\u0131za \u00e7\u0131k\u0131yor. Bedreddin, Zeki Velidi\u2019nin tabiriyle devletinin esas\u0131 \u015feriat de\u011fil \u201ct\u00fcre\u201d ve \u201cyasak\u201d olan Orhan Bey zaman\u0131nda do\u011fmaya ba\u015flayan \u201cOsmanl\u0131 Huk\u00fbk\u00ee Muhiti\u201dnin geni\u015fletti\u011fi \u00f6rf\u00ee huk\u00fbkun, Kur\u2019\u00e2n h\u00fck\u00fcmlerini \u00f6telemesinden rahats\u0131zd\u0131; z\u00eer\u00e2 men\u00e2k\u0131b\u0131nda belirtildi\u011fi gibi kendisi, her i\u015fi \u201cz\u00fchd ile takv\u00e2la\u201d olan bir hukuk adam\u0131yd\u0131. Onun \u00e7ilesi, Oru\u00e7 Be\u011f\u2019in tabiriyle fetv\u00e2y\u0131 koyup takvay\u0131 kald\u0131ranlar\u0131n, Ahmed\u00ee\u2019nin \u201cDin ned\u00fcr\u00fcr, \u015fer\u2019i tahrir ettiler\u201d diyerek tan\u0131mlad\u0131klar\u0131n\u0131n zaman\u0131nda, \u0130sl\u00e2m huk\u00fbkunu \u2018taklid\u2019den \u2018ictih\u00e2d\u2019a g\u00f6t\u00fcren, Bat\u0131l\u0131lar\u0131n \u201cmagister dixit\u201d tabir etti\u011fi \u201ckaal-el-\u00fcst\u00e2z\u00fb\u201d anlay\u0131\u015f\u0131n\u0131n d\u0131\u015f\u0131nda, kendi g\u00f6r\u00fc\u015f ve reyine g\u00f6re h\u00fck\u00fcm verebilen \u00e7a\u011fda\u015f bir huk\u00fbk \u00f6\u011fretisinin ilk k\u0131v\u0131lc\u0131m\u0131 olarak parlamas\u0131ndan kaynaklan\u0131yordu. Ahmed G\u00fcner Sayar, Bedreddin\u2019e atfedilen panteizmi ve eserlerinden habersiz tenkit\u00e7ileri taraf\u0131ndan \u00fczerine yap\u0131\u015ft\u0131r\u0131lan dind\u0131\u015f\u0131 ve \u00e2s\u00ee etiketlerini, hak\u00eekati yans\u0131tmayan t\u00fcrl\u00fc sapmalar\u0131, ba\u015fta V\u00e2rid\u00e2t olmak \u00fczere, bu b\u00fcy\u00fck T\u00fcrk m\u00fctefekkirinin kendi eserlerine tevcihle cevapl\u0131yor. B\u00f6ylece Bedreddin, \u00f6nderi ve y\u00fcr\u00fct\u00fcc\u00fcs\u00fc olmad\u0131\u011f\u0131 bir isyan\u0131n a\u011f\u0131nda berrak bir zihin temriniyle de\u011ferlendirilerek iktisad\u00ee, din\u00ee ve siyas\u00ee g\u00f6r\u00fc\u015fleriyle anahatlar\u0131 \u00e7izilen bir portre halinde belirginle\u015fiyor. Bu kitapta, \u201cPeygamber\u2019in \u015fer\u00eeat\u0131n\u0131n ba\u015f g\u00fcne\u015fi, Mustafa yolunun Bedr\u2019i, Muhammed\u2019e mensup hak\u00eekatin mazhar\u0131, ula\u015fan ve ula\u015ft\u0131ran ir\u015fad \u0131ss\u0131 ki\u015filerin \u00f6v\u00fcnc\u00fc, Hakk\u2019\u0131 bir bilen arif ve ger\u00e7e\u011fi ger\u00e7ekle\u015ftirmi\u015f erlerin se\u00e7kini, olgunlu\u011fa erenlerin en olgunlar\u0131n\u0131n olgunu, ger\u00e7ek ve yak\u00eeyn mertebesine varanlar\u0131n en ileri olan\u0131, Allah\u2019a mensup \u00e2limlerin, ilimde samimiyet ve ger\u00e7e\u011fe varanlar\u0131n sultan\u0131, Hakk, \u015fer\u00eeat ve takv\u00e2 ve d\u00eenin Bedr\u2019i\u201dnin, Fetret Devri gayyas\u0131 i\u00e7inden y\u00fckselen sars\u0131c\u0131 \u00e7\u0131\u011f\u0131r\u0131na tan\u0131k olacaks\u0131n\u0131z.<\/p>\n","protected":false},"excerpt":{"rendered":"
Ahmed G\u00fcner Sayar, bug\u00fcne kadar ideolojik ve anakronik bak\u0131\u015f a\u00e7\u0131lar\u0131n\u0131n kurban\u0131 olarak ger\u00e7ek t\u00e2rihin d\u0131\u015f\u0131nda b\u0131rak\u0131lan \u015eeyh Bedreddin portresini, temel kaynaklar ve kendi eserlerinin s\u00fczgecinden ge\u00e7irerek [\u2026]<\/span><\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"product_brand":[],"product_cat":[13946,12304],"product_tag":[],"class_list":{"0":"post-715433","1":"product","2":"type-product","3":"status-publish","5":"product_cat-biyografi-otobiyografi","6":"product_cat-tarih","7":"pa_cilt-ciltsiz","8":"pa_tur-kitap","9":"pa_yayinevi-otuken-nesriyat","10":"pa_yazar-ahmed-guner-sayar","12":"first","13":"instock","14":"sale","15":"shipping-taxable","16":"purchasable","17":"product-type-simple"},"_links":{"self":[{"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/product\/715433","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/types\/product"}],"wp:attachment":[{"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/media?parent=715433"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/product_brand?post=715433"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/product_cat?post=715433"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/product_tag?post=715433"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}