YOUSSOUF BEY: The Charged Portraits of Fin-de-Si\u00e9cle Pera is a two-volume special publication (Vehbi Ko\u00e7 Foundation, \u0130stanbul, 2016) that accompanied ANAMED\u2019s exhibition \u201cThe Characters of Yusuf Franko: An Ottoman Bureaucrat\u2019s Caricatures\u201d(26 January \u2013 01 June 2017). The edited book of articles from this special edition has been recently republished by ANAMED and, thus, is available to a larger audience. Yusuf Franko Kusa Bey (1856\u20131933), a high-ranking bureaucrat in fin-de-si\u00e8cleOttoman imperial administration, was also a talented caricaturist. Because of his duties in the Ottoman Foreign Ministry, and spending most of his life in \u0130stanbul, he was both a member and an observer of high-society social circles in Pera [Beyo\u011flu]. Ambassadors, ministers, diplomats, famous opera singers, painters, Pashas and Efendis, Madames and Monsieurs, were part of this social milieu, and most of them became eternally recorded through the \u2018types and charges\u2019 in Yusuf Franko\u2019s caricature album. \u0130ncluding images of himself, he charged his subject materials, the people in his social network, with their particular qualities and transformed their portraits into witty caricatures that reflected contemporary scenes of social life and political debates in Pera. While the articles in this book analyze the majority of Yusuf Bey\u2019s caricatures from diverse perspectives (his family history and biography, the history of contemporary European caricature art and politics, and the social and spatial context in which he drew his caricatures), the appendix gives brief information about each caricature plate in the original album. These extraordinary caricatures are published for the first time in their entirety since they were discovered in an antique rug dealer’s shop in \u0130stanbul in 1957. ** ANAMED\u2019in 26 Ocak \u2013 01 Haziran 2017 tarihleri aras\u0131nda ger\u00e7ekle\u015ftirdi\u011fi \u201cYusuf Franko\u2019nun Insanlar\u0131: Bir Osmanl\u0131 B\u00fcrokrat\u0131n\u0131n Karikat\u00fcrleri\u201d sergisine e\u015flik eden iki ciltlik \u00f6zel yay\u0131n\u0131n (Vehbi Ko\u00e7 Vakf\u0131, \u0130stanbul, 2016) Ingilizce makalelerden olu\u015fan kitab\u0131 YOUSSOUF BEY: The Charged Portraits of Fin-de-Si\u00e9cle Pera [YOUSSOUF BEY: Ondokuzuncu Y\u00fczy\u0131l Sonu Peras\u0131\u2019n\u0131n Y\u00fckl\u00fc Portreleri],ANAMED taraf\u0131ndan yeniden yay\u0131mland\u0131 ve daha geni\u015f bir okur kitlesinin be\u011fenisine sunuldu. Ondokuzuncu y\u00fczy\u0131l sonu Osmanl\u0131 Imparatorluk idaresinin \u00f6nemli b\u00fcrokratlar\u0131ndan Yusuf Franko Kusa Bey (1856\u20131933), ayn\u0131 zamanda yetenekli bir karikat\u00fcristti. Osmanl\u0131 Hariciyesi\u2019ndeki g\u00f6revi sebebiyle; ayr\u0131ca ya\u015fam\u0131n\u0131n b\u00fcy\u00fck k\u0131sm\u0131 Istanbul\u2019da ge\u00e7mi\u015f oldu\u011fu i\u00e7in, Pera [Beyo\u011flu] cemiyet hayat\u0131n\u0131n hem \u00f6nemli bir par\u00e7as\u0131, hem de iyi bir g\u00f6zlemcisiydi. B\u00fcy\u00fckel\u00e7iler, bakanlar, diplomatlar, me\u015fhur opera sanat\u00e7\u0131lar\u0131, ressamlar, Pa\u015falar ve Efendiler, Madamlar ve Mon\u015ferler, hepsi bu cemiyet hayat\u0131n\u0131n bir par\u00e7as\u0131yd\u0131. \u00c7o\u011fu, Yusuf Franko\u2019nun Types et Charges [\u2018Tipler ve Y\u00fcklemeler\u2019] ba\u015fl\u0131\u011f\u0131n\u0131 verdi\u011fi orjinal karikat\u00fcr alb\u00fcm\u00fcnde \u00f6l\u00fcms\u00fczle\u015ftiler. Kendi de dahil olmak \u00fczere, Yusuf Franko, sosyal \u00e7evresindeki bu cemiyet insanlar\u0131n\u0131, yani malzemesini, belirli \u00f6zelliklerine vurgular yaparak \u2018y\u00fck\u2019ledi ve onlar\u0131n portrelerini Pera\u2019daki sosyal ya\u015fam\u0131 ve siyasi tart\u0131\u015fmalar\u0131 yans\u0131tan zeki karikat\u00fcrlere d\u00f6n\u00fc\u015ft\u00fcrd\u00fc. Bu kitaptaki makaleler Yusuf Franko\u2019nun karikat\u00fcrlerinin b\u00fcy\u00fck \u00e7o\u011funlu\u011funu farkl\u0131 perspektiflerden (aile tarihi ve biyografisi, Avrupa karikat\u00fcr ve siyasi tarihi ve Yusuf Franko\u2019nun karikat\u00fcrlerini \u00e7izdi\u011fi sosyal ve mek\u00e2nsal ba\u011flam) incelerken, ek b\u00f6l\u00fcm, orjinal alb\u00fcmdeki karikat\u00fcr s\u0131ras\u0131n\u0131 takip ederek her bir karikat\u00fcr hakk\u0131nda bilgi veriyor. Bu karikat\u00fcrler 1957 y\u0131l\u0131nda Istanbul\u2019daki bir antika hal\u0131c\u0131da ke\u015ffedildiklerinden itibaren toplu halde ilk kez yay\u0131mlan\u0131yor. <\/p>\n","protected":false},"excerpt":{"rendered":"
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