{"id":699318,"date":"2025-08-27T14:50:24","date_gmt":"2025-08-27T11:50:24","guid":{"rendered":"https:\/\/roveyayinevi.com.tr\/index.php\/urun\/korkunun-gucleri-igrenclik-uzerine-deneme\/"},"modified":"2026-04-16T02:08:45","modified_gmt":"2026-04-15T23:08:45","slug":"korkunun-gucleri-igrenclik-uzerine-deneme","status":"publish","type":"product","link":"https:\/\/roveyayinevi.com.tr\/index.php\/urun\/korkunun-gucleri-igrenclik-uzerine-deneme\/","title":{"rendered":"Korkunun G\u00fc\u00e7leri \u0130\u011fren\u00e7lik \u00dczerine Deneme"},"content":{"rendered":"<p>Deh\u015fet, i\u011fren\u00e7lik, pislik&#8230; Uzakta tutulmaya \u00e7al\u0131\u015f\u0131lan, d\u0131\u015flanan, bast\u0131r\u0131lan ama geri d\u00f6nen; bir tokat gibi surat\u0131m\u0131zda patlayan; bedenimizi istila eden; r\u00fcyalar\u0131m\u0131z\u0131, bilincimizi ve bilin\u00e7d\u0131\u015f\u0131m\u0131z\u0131 belirleyen, silinmeyen damga. Binlerce y\u0131ll\u0131k bir haf\u0131zada, mitlerde, dinlerde ve nihayet edebiyattaki iziyle deh\u015fet. \u0130\u015fte Kristeva\u2019n\u0131nKorkunun G\u00fc\u00e7leri\u2019nde disiplinleraras\u0131 bir yakla\u015f\u0131mla, psikanalizden dilbilime, semiyotikten edebiyata uzanarak \u00fczerinde durdu\u011fu ana tema bu. Yak\u0131ndan bak\u0131ld\u0131\u011f\u0131nda neredeyse b\u00fct\u00fcn edebiyat\u0131n konusudur \u201ck\u0131yamet\u201d. Ve tarih boyunca, o \u201ck\u0131yamet\u201di ya\u015fayanlar\u0131n varolu\u015fu art\u0131k kimliksiz, heterojen, hayvani, ba\u015fkala\u015fm\u0131\u015f ve k\u0131r\u0131lgan bir s\u0131n\u0131rda kendini g\u00f6sterir: borderline yani s\u0131n\u0131r ki\u015filikler, travman\u0131n kal\u0131c\u0131l\u0131\u011f\u0131&#8230; Kristeva, deh\u015fetin anlam\u0131n\u0131n ve g\u00fcc\u00fcn\u00fcn hangi evrensel \u00f6znellik mekanizmalar\u0131na yasland\u0131\u011f\u0131n\u0131 g\u00f6stermeye \u00e7al\u0131\u015f\u0131rken, bu konuda ayr\u0131cal\u0131kl\u0131 yeri edebiyata verir. Hem de b\u00f6ylesi bir edebiyat\u0131n en derin, en mahrem k\u0131yametlerimizin oda\u011f\u0131 oldu\u011funa vurgu yapar. Baudelaire, Lautr\u00e9amont, Kafka, Bataille, Sartre arac\u0131l\u0131\u011f\u0131yla, kimli\u011fin cehenneme ini\u015fine e\u015flik etti\u011fimize vurgu yapan Kristeva, as\u0131l C\u00e9line \u00fczerinde durur. O, \u0130kinci D\u00fcnya Sava\u015f\u0131 gibi bir facian\u0131n ortas\u0131nda, i\u011frencin y\u00f6r\u00fcngesindeki hi\u00e7bir \u015feyi ba\u011f\u0131\u015flamaz. Ne ahlak, ne politika, ne din, ne estetik, ne de \u00f6znellik ya da s\u00f6z&#8230; C\u00e9line, bir t\u00fcr nihilizmin gidebilece\u011fi en u\u00e7 noktaya i\u015faret ederken, deh\u015fetin bu b\u00f6lgesinin herkesi b\u00fcy\u00fcleme g\u00fcc\u00fcn\u00fc de g\u00f6zler \u00f6n\u00fcne sermektedir. Dev bir kahkaha, \u00e7\u0131\u011fl\u0131k, alayd\u0131r C\u00e9line, b\u00fct\u00fcn insanl\u0131kla dalgas\u0131n\u0131 ge\u00e7er. Psikanalitik boyutta, \u00f6zellikle din tarihinde i\u011frenmenin konusu olan annenin, kad\u0131n\u0131n \u201c\u015feytani\u201d kabul edili\u015fi \u00fczerinde duran Kristeva, bu \u015feytanili\u011fin kendi varl\u0131\u011f\u0131m\u0131z\u0131n ayr\u0131lmaz bir par\u00e7as\u0131 olu\u015funun, s\u00fcrekli bir katarsis ediminin i\u00e7inde ya\u015fay\u0131\u015f\u0131m\u0131z\u0131n ifadesini yine edebiyatta bulur. Farkl\u0131 perspektiflerin kesi\u015fti\u011fi Korkunun G\u00fc\u00e7leri\u2019nde, i\u011fren\u00e7 temas\u0131na fenomenolojik bir bak\u0131\u015f\u0131n ard\u0131ndan Kristevasemiyolojik d\u00fc\u015f\u00fcncelerini \u00fc\u00e7 ana kutup \u00fczerinde odaklar: analitik teori (fobi), dinler tarihi (g\u00fcnah, murdar), \u00e7a\u011fda\u015f edebiyat deneyimi (C\u00e9line). Korkunun G\u00fc\u00e7leri, ac\u0131l\u0131 ve esritici deneyimlerin \u00e7emberinden ge\u00e7mi\u015f olanlara hitap ediyor. \u0130\u011frenmekten, kendini ve \u00f6tekini sevmeye g\u00f6t\u00fcren bir yolun kitab\u0131&#8230; <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Deh\u015fet, i\u011fren\u00e7lik, pislik&#8230; Uzakta tutulmaya \u00e7al\u0131\u015f\u0131lan, d\u0131\u015flanan, bast\u0131r\u0131lan ama geri d\u00f6nen; bir tokat gibi surat\u0131m\u0131zda patlayan; bedenimizi istila eden; r\u00fcyalar\u0131m\u0131z\u0131, bilincimizi ve bilin\u00e7d\u0131\u015f\u0131m\u0131z\u0131 belirleyen, silinmeyen damga.<span class=\"excerpt-hellip\"> [\u2026]<\/span><\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"product_brand":[],"product_cat":[12312,12304],"product_tag":[],"class_list":{"0":"post-699318","1":"product","2":"type-product","3":"status-publish","5":"product_cat-diger","6":"product_cat-tarih","7":"pa_cilt-ciltsiz","8":"pa_tur-kitap","9":"pa_yayinevi-ayrinti-yayinlari","10":"pa_yazar-julia-kristeva","12":"first","13":"instock","14":"sale","15":"shipping-taxable","16":"purchasable","17":"product-type-simple"},"_links":{"self":[{"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/product\/699318","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/types\/product"}],"wp:attachment":[{"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/media?parent=699318"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/product_brand?post=699318"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/product_cat?post=699318"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/product_tag?post=699318"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}