{"id":697076,"date":"2025-08-27T14:38:05","date_gmt":"2025-08-27T11:38:05","guid":{"rendered":"https:\/\/roveyayinevi.com.tr\/index.php\/urun\/rabelais-ve-dunyasi\/"},"modified":"2026-04-16T02:06:51","modified_gmt":"2026-04-15T23:06:51","slug":"rabelais-ve-dunyasi","status":"publish","type":"product","link":"https:\/\/roveyayinevi.com.tr\/index.php\/urun\/rabelais-ve-dunyasi\/","title":{"rendered":"Rabelais ve D\u00fcnyas\u0131"},"content":{"rendered":"<p>Karnaval, sanat ile hayat aras\u0131ndaki s\u0131n\u0131rda bulunur; sahne \u0131\u015f\u0131\u011f\u0131 nedir bilmez; orada akt\u00f6rlerle seyirciler birbirine kar\u0131\u015f\u0131r; o, herkesin davetli oldu\u011fu bir \u015fenliktir. XX. Y\u00fczy\u0131l\u0131n \u00f6nde gelen k\u00fclt\u00fcr ve edebiyat kuramc\u0131lar\u0131ndan biri olan Mihail Bahtin\u2019in kitab\u0131 da \u00f6yle\u2026 Bahtin Rabelais ve D\u00fcnyas\u0131\u2019nda, orta\u00e7a\u011f ve R\u00f6nesans d\u00f6neminde g\u00fcndelik hayat\u0131n her k\u00f6\u015fesine n\u00fcfuz eden ve sokaktan saraya kadar b\u00fct\u00fcn insan ili\u015fkilerini belirleyen pop\u00fcler \u015fenlikli bi\u00e7imlerden ve bunlar\u0131n temelinde yatan karnaval ruhundan s\u00f6z eder. Ancak karnaval ruhunu, halk\u0131n senede bir, \u00f6l\u00e7\u00fcl\u00fc bir \u015fekilde e\u011flendi\u011fi ve ehlile\u015ftirilmi\u015f bir g\u00fclme ile ge\u00e7i\u015ftirdi\u011fi modern karnavallarla kar\u0131\u015ft\u0131rmamak gerekir.Bahtin i\u00e7in karnaval, her \u015feyi ters y\u00fcz edebilen g\u00fcc\u00fc, \u00f6verken yeren dili ve birbirine z\u0131t iki anlam\u0131 ayn\u0131 anda bar\u0131nd\u0131rabilen imgeleriyle varolu\u015fun ta kendisidir. Dura\u011fan, \u0131\u015f\u0131ks\u0131z ve kendini ciddiye alan her \u015feyi bir hamlede ala\u015fa\u011f\u0131 eder. Karnaval, mutlakl\u0131k iddias\u0131yla ortaya \u00e7\u0131kan her t\u00fcrl\u00fc otoriteye meydan okuyan uzun ve g\u00fcr\u00fclt\u00fcl\u00fc bir kahkahad\u0131r. Bu, g\u00fclen ki\u015fiye de y\u00f6nelen, m\u00fcphem, evrensel bir g\u00fcl\u00fc\u015ft\u00fcr; kendini alay nesnesinin yukar\u0131s\u0131nda bir yere yerle\u015ftiren modern yergicinin olumsuz, ki\u015fisel g\u00fcl\u00fc\u015f\u00fcn\u00fcn aksine, t\u00fcm bir d\u00fcnya g\u00f6r\u00fc\u015f\u00fcn\u00fc temsil eden, halk\u0131n \u015fenli\u011fe \u00f6zg\u00fc g\u00fcl\u00fc\u015f\u00fc\u2026 Rabelais ve D\u00fcnyas\u0131 salt bir tarih veya dil ya da edebiyat \u00e7\u00f6z\u00fcmlemesinin s\u0131n\u0131rlar\u0131n\u0131 a\u015fan, yeni bir pop\u00fcler k\u00fclt\u00fcr, hatta daha genel anlamda k\u00fclt\u00fcr \u00e7\u00f6z\u00fcmlemesi ve tarih; metodolojisi olarak kucaklanan engin bir kitapt\u0131r. Bahtin, bi\u00e7imler, t\u00fcrler, imgeler aras\u0131nda \u00e7ok zengin, \u015fa\u015f\u0131rt\u0131c\u0131 ba\u011flant\u0131lar kura kura ilerledi\u011fi her b\u00f6l\u00fcmde kar\u015f\u0131m\u0131za yava\u015f yava\u015f b\u00fct\u00fcnsel bir resim \u00e7\u0131kar\u0131r; bu ne\u015feli, reng\u00e2renk, m\u00fcphem imgeler sistemi bizi, sayfalar\u0131 \u00e7evirdik\u00e7e, yal\u0131t\u0131k biyolojik insan fikrinden, somut ve ger\u00e7ek\u00e7i bir tarihsel fark\u0131ndal\u0131k i\u00e7inde olan \u00f6l\u00fcms\u00fcz insano\u011flu fikrine do\u011fru yava\u015f yava\u015f ta\u015f\u0131r&#8230;Mihail Bahtin, insan bilimleri alan\u0131ndaki en \u00f6nemli Sovyet d\u00fc\u015f\u00fcn\u00fcr\u00fc ve yirminci y\u00fczy\u0131l\u0131n en b\u00fcy\u00fck edebiyat kuramc\u0131s\u0131d\u0131r.&#8221; Tzvetan TodorovBahtin\u2019in yap\u0131tlar\u0131, dilbilim, edebiyat ve k\u00fclt\u00fcr alanlar\u0131nda, kendisinden habersiz, hatta kendisinden sonra geli\u015ftirilmi\u015f kuramlara yan\u0131t olarak okunabilir. G\u00fcn\u00fcm\u00fczde bu alanlarda Bahtin\u2019e de\u011finmeden ilerleyen bir tart\u0131\u015fma bulmak zordur. Dilin ve edebiyat\u0131n somut ger\u00e7eklikle ba\u011flar\u0131n\u0131 vurgulay\u0131\u015f\u0131yla, s\u00f6z\u00fcn ya\u015fama dokundu\u011fu an\u0131n yazar\u0131d\u0131r.&#8221; Sibel Irz\u0131k <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Karnaval, sanat ile hayat aras\u0131ndaki s\u0131n\u0131rda bulunur; sahne \u0131\u015f\u0131\u011f\u0131 nedir bilmez; orada akt\u00f6rlerle seyirciler birbirine kar\u0131\u015f\u0131r; o, herkesin davetli oldu\u011fu bir \u015fenliktir. XX. Y\u00fczy\u0131l\u0131n \u00f6nde gelen<span class=\"excerpt-hellip\"> [\u2026]<\/span><\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"product_brand":[],"product_cat":[12408,14197],"product_tag":[],"class_list":{"0":"post-697076","1":"product","2":"type-product","3":"status-publish","5":"product_cat-sanat","6":"product_cat-sanat-tarihi","7":"pa_cilt-ciltsiz","8":"pa_tur-kitap","9":"pa_yayinevi-ayrinti-yayinlari","10":"pa_yazar-mikhail-bakhtin","12":"first","13":"instock","14":"sale","15":"shipping-taxable","16":"purchasable","17":"product-type-simple"},"_links":{"self":[{"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/product\/697076","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/types\/product"}],"wp:attachment":[{"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/media?parent=697076"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/product_brand?post=697076"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/product_cat?post=697076"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/product_tag?post=697076"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}