Politik Kamera, altm\u0131\u015fl\u0131 y\u0131llar\u0131n sonlar\u0131ndan seksenlerin ortalar\u0131na kadar uzanan ve ABD toplumunda politik ibrenin giderek artan bir h\u0131zla sa\u011fa y\u00f6neldi\u011fi bir d\u00f6nemde Hollywood sinemas\u0131n\u0131n bu y\u00f6nelime nas\u0131l kar\u015f\u0131l\u0131k verdi\u011fini ele alan, k\u00fclt\u00fcr ile politika aras\u0131ndaki ili\u015fkiye dikkat \u00e7eken bir \u00fcslupla yaz\u0131lm\u0131\u015f ele\u015ftirel bir inceleme. Ryan ve Kellner, altm\u0131\u015flar\u0131n \u00f6zg\u00fcrl\u00fck\u00e7\u00fc ve e\u015fitlik\u00e7i de\u011ferlerle \u00f6r\u00fcl\u00fc toplumsal atmosferinden Reagan\u2019\u0131n vah\u015fi kapitalizmine giden yolu Hollywood sinemas\u0131 \u00fczerinden katediyor. Ryan ve Kellner\u2019a g\u00f6re sinema ideolojik \u00fcretim a\u00e7\u0131s\u0131ndan vazge\u00e7ilmez bir ara\u00e7; \u00e7\u00fcnk\u00fc her ikisinin de s\u0131k\u0131 s\u0131k\u0131ya ilgili oldu\u011fu bir ortak nokta var: Temsil. Sinema d\u0131\u015far\u0131da duran bir \u015feyi bize g\u00f6stermez , onu temsilin s\u00fczgecinden ge\u00e7irerek, \u015fu ya da bu bi\u00e7imde d\u00f6n\u00fc\u015ft\u00fcrerek, bize bir yap\u0131nt\u0131 sunar. Sinemada g\u00f6rd\u00fc\u011f\u00fcm\u00fcz her \u015feyin arkas\u0131nda, temsil bi\u00e7imine ili\u015fkin bir tercih yatar. \u0130deoloji de temsiller \u00fczerinde y\u00fckselir; toplumsal kurum ve de\u011ferlerle, cinsiyet rolleriyle, ki\u015fisel var-olu\u015fumuzla ilgili yap\u0131ta\u015flar\u0131 temsilin vazge\u00e7ilmez katk\u0131s\u0131yla olu\u015fturulur. Dolay\u0131s\u0131yla sinema, ideolojinin idamesine destek veren temsil bi\u00e7imlerini ye\u011fleyerek h\u00e2kim ideolojik ger\u00e7ekli\u011fin yeniden \u00fcretimine katk\u0131da bulunabilece\u011fi gibi, alternatif temsiller arac\u0131l\u0131\u011f\u0131yla onu sarsmay\u0131 da ama\u00e7layabilir. Zarars\u0131z g\u00f6r\u00fcnen pek \u00e7ok Hollywood hik\u00e2yesinde k\u0131l\u0131k de\u011fi\u015ftirmi\u015f toplumsal arzular, s\u0131radanl\u0131klar\u0131 metaforik y\u00fcceltmeyle \u00f6rtbas edilmi\u015f korku ve kayg\u0131lar boy g\u00f6steriyor. Muhafazak\u00e2r Hollywood sinemas\u0131nda bolca ra\u011fbet edilen metaforik anlamland\u0131rma bi\u00e7imi, psikososyal gerilimleri yat\u0131\u015ft\u0131rmaya y\u00f6nelik bir bo\u015fal\u0131m mekanizmas\u0131 olu\u015fturuyor. B\u00f6yle olunca, \u00f6rne\u011fin, Baba\u2019n\u0131n erkeklerini bu kadar erkek yapan\u0131n ne oldu\u011fu, \u015eeytan\u2019daki masum k\u0131z \u00e7ocu\u011funun neden \u015feytanla\u015ft\u0131\u011f\u0131, Jaws\u2019daki k\u00f6pekbal\u0131\u011f\u0131n\u0131n asl\u0131nda kime ve neden deh\u015fet sa\u00e7t\u0131\u011f\u0131, Havaalan\u0131 ve Yang\u0131n Kulesi gibi felaket filmlerinde felaketle birlikte nelerin savu\u015fturuldu\u011fu, K\u0131yamet\u2019te Vietnam\u2019la nas\u0131l hesapla\u015f\u0131ld\u0131\u011f\u0131, Rambo\u2019nun neden \u015fiddete doymad\u0131\u011f\u0131 \u00fczerinde yeniden d\u00fc\u015f\u00fcnmek gerekiyor. Patolojik bir eril cinsel kimlikle, bireyci alternatiflerle, se\u00e7kin liderlere ba\u011flanm\u0131\u015f umutlarla y\u00fckl\u00fc, kar\u015f\u0131lanmam\u0131\u015f \u00f6zlemlerin ve h\u00fcsran duygular\u0131n\u0131n sald\u0131rgan bir \u015fiddete d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fc babaerkil muhafazak\u00e2r toplumda, imdat \u00e7a\u011fr\u0131lar\u0131n\u0131 g\u00f6rmek i\u00e7in muhafazak\u00e2r k\u00fclt\u00fcrel \u00fcretimi geri \u015fifrelemek bile yeterli olabiliyor. Ryan ve Kellner, Hollywood\u2019un ideolojik \u015fifrelerini ustal\u0131kl\u0131 bir i\u00e7g\u00f6r\u00fcyle \u00e7\u00f6zerek, Hollywood form\u00fcllerinin bize ger\u00e7ekte ne s\u00f6yledi\u011fini anlat\u0131yor. Muhafazak\u00e2rl\u0131k s\u00f6zl\u00fc\u011f\u00fcnde erkek ve kad\u0131n olman\u0131n, \u00f6zg\u00fcrl\u00fc\u011f\u00fcn, ba\u015far\u0131n\u0131n, do\u011fan\u0131n, ailenin, teknolojinin vb ne anlama geldi\u011fini merak edenlere ve daha e\u015fitlik\u00e7i alternatiflerden umudunu kesmemi\u015f olanlara… <\/p>\n","protected":false},"excerpt":{"rendered":"
Politik Kamera, altm\u0131\u015fl\u0131 y\u0131llar\u0131n sonlar\u0131ndan seksenlerin ortalar\u0131na kadar uzanan ve ABD toplumunda politik ibrenin giderek artan bir h\u0131zla sa\u011fa y\u00f6neldi\u011fi bir d\u00f6nemde Hollywood sinemas\u0131n\u0131n bu y\u00f6nelime [\u2026]<\/span><\/p>\n","protected":false},"featured_media":0,"template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0},"product_brand":[],"product_cat":[12364],"product_tag":[],"class_list":{"0":"post-697045","1":"product","2":"type-product","3":"status-publish","5":"product_cat-genel-konular","6":"pa_cilt-ciltsiz","7":"pa_tur-kitap","8":"pa_yayinevi-ayrinti-yayinlari","9":"pa_yazar-michael-ryan","11":"first","12":"instock","13":"sale","14":"shipping-taxable","15":"purchasable","16":"product-type-simple"},"_links":{"self":[{"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/product\/697045","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/types\/product"}],"wp:attachment":[{"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/media?parent=697045"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/product_brand?post=697045"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/product_cat?post=697045"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/roveyayinevi.com.tr\/index.php\/wp-json\/wp\/v2\/product_tag?post=697045"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}